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ESBE Studio Founder Talks Inspirations, Creative Process, and Quilts

Growing up in Nova Scotia, Shayla Bond honed her artistry and sewing skills under the guidance of her creative craftswoman mother. A decade after earning her Bachelor of Fine Arts in Fashion and Textiles from NSCAD University, she launched ESBE Studio—keen to draw on her experiences in fashion and marketing. Today, Bond brings to life a modern take on the classic heirloom quilt as she explores her calling to work with textiles.

Shayla Bond quilt art
Shayla Bond quilt art

Through an interior design lens, Bond reimagines quilts as practical, timeless pieces for the home.

“I envision ESBE as a brand that positions quilts next to those in the home design space,” she shares. Currently working with a range of interior designers, Bond is already seeing a shift in quilt’s identity: “Designers often tell me that it doesn’t feel like they’re commissioning just a quilt, but rather an art piece.”

Now based in Toronto, where a quilt-art scene is quickly emerging—Bond divides her time between ESBE and creating fibre-based fine art, as she envisions how quilts can move from surface to surface. Finding true fulfillment in her craft, she shares that she remains faithful to methods like sketching on graph paper, fabric piecing, top-quilting, and working with batting. Crafting exclusively with linen, her process reflects a strong commitment to sustainability, from choosing cotton threads over polyester to sourcing organic materials whenever possible.

In her latest works, you’ll find geometric shapes and colours come together in perfect harmony. “I love repeat, colour, space, and precision, which works well with quilting,” she explains, “balancing the familiar with the unknown is what I aim for, and invoking that emotional response.”

For her framed fine art, Bond uses numeric input to create pixelated compositions. From there, she carefully selects colours to match the target aesthetic.

product design
product design

Bond’s cushion details present beautifully on a cherry wood bench.

Throughout her journey as an artist, Bond bridges the gap between her craft and her art. From traditional methods used for ESBE to a digital approach in her fine art, her work emanates the deep sense of nostalgia that she feels.

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The Bentway’s playful installation of 50 trees in shopping carts shines a light on climate resilience and green equity

In a city grappling with rising temperatures, accelerated development and increasing inequity in green space accessibility, Moving Forest arrives not as a solution, but as an invitation to rethink our relationship with nature. Designed by NL Architects as a part of The Bentway’s Sun/Shade exhibition, this outlandish yet purposeful installation transforms a fleet of 50 shopping carts into mobile vessels for native trees—red maples, silver maples, sugar maples and autumn blaze—that roll through some of Toronto’s most sun-scorched plazas, creating impromptu oases of shade and community.

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